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Esha Deol praised Bobby Deol's performance in Bandar, calling him the 'finest actor today' and urging audiences to watch the film. The Anurag Kashyap-directed crime thriller released in theatres on June 5 and has received positive reviews. |
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Esha Deol praised Bobby Deol's performance in Bandar, calling him the 'finest actor today' and urging audiences to watch the film. The Anurag Kashyap-directed crime thriller released in theatres on June 5 and has received positive reviews. |
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Despite mixed reviews, Ram Charan's Peddi took a monstrous start at the box office, becoming the 11th Telugu film to gross over Rs 100 crore worldwide opening. |
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David Dhawan should have retired without making this film. It's so sad to see that a filmmaker of this stature failed to evolve and thought that the audience would still find this crap funny in 2026. |
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'Hai Jawani Toh Ishq Hona Hai' is a Hindi-language romantic comedy directed by veteran filmmaker David Dhawan and produced by Ramesh Taurani. The fil |
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With the release of the Varun Dhawan, Pooja Hegde and Mrunal Thakur starrer Hai Jawani Toh Ishq Hona Hai today, here is a look at the audience's reactions and opinions. |
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Abhinav Sunder Nayak's Mollywood Times follows Vineeth Madhavan from cinephile boyhood to the bruising realities of filmmaking. The film turns that journey into a reflection on obsession, compromise and the dream of reaching a Friday. |
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Madhuri Dixit, Triptii Dimri, Dharna Durga and Ravi Kishan have come together for the black comedy Maa Behen. Directed by Suresh Triveni, the film premiered on OTT on the last day. |
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Viveka's Mango Pachcha follows Prashantha's rise in Mysuru's cannabis underworld. The film pairs a promising debut by Sanchith Sanjeev with a story that feels rushed yet lands an effective climax. |
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Hai Jawani Toh Ishq Hona Hai Movie Review and Release Live Updates: The release of the Varun Dhawan, Pooja Hegde and Mrunal Thakur-starrer is significant as it is said to mark the final film of director David Dhawan. |
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Bandar review: This is Anurag Kashyap's strongest film in a while, its spare, scrappy style working in tandem with the story which chooses to show us a man who may not be as black as he's painted out to be, but is not all white either. |